Papers are coming in nicely for the POCCS conference, and we’re starting to look for sponsorship. We’re putting together panels in a number of different configurations, and thinking how and when we can find sources to publish the conference proceedings. We’re in talks with a couple of different journals, so this all looks to be falling into place.
Will continue to update and post as things return to normal in September.
Will let ya know!
I’m pleased to announce that we have now confirmed two guest speakers for the Post Olympics Chinese Cinema Symposium.
Our first keynote is Dr. Victor Fan from King’s College London and the second speaker is Dr. Gary Bettinson from Lancaster University. Both have been researching current trends in Chinese and Hong Kong cinemas, and we are very pleased to have their contributions to the 2013 POCCS conference.
Below is the biographical information for the two speakers:
Victor Fan is Lecturer at the Department of Film Studies, King’s College London. He was Assistant Professor at the Department of East Asian Studies, McGill University. He graduated with a Ph.D. from the Film Studies Program and the Comparative Literature Department of Yale University, and an MFA in Film and Television Productions at School of Cinema-Television, University of Southern California. His articles have been published in World Picture Journal, Camera Obscura, Journal of Chinese Cinemas, Screen, Film History: An International Journal, CLCWeb: Comparative Literature and Culture, the anthology A Companion to Rainer Werner Fassbinder (ed. Brigitte Peucker) and film magazine 24 Images: Cinéma, etc. He is also a contributor to the communal blog Printculture. He has recently completed his book manuscript titled Approaching Reality: Potentiality in Chinese Film Theory. In addition, Fan is also a filmmaker, composer and theater director. His film The Well was an official selection of the São Paolo International Film Festival; it was also screened at the Anthology Film Archives, the Japan Society and the George Eastman House.
Gary Bettinson is Lecturer in Film Studies at Lancaster University. His research on Chinese cinema has appeared in Asian Cinema, Journal of Chinese Cinemas, Post Script, and the anthology Puzzle Films: Complex Storytelling in Contemporary Cinema (edited by Warren Buckland, Wiley-Blackwell, 2009). He is Editor-in-Chief (with Tan See Kam) of Asian Cinema, Editor of the Directory of World Cinema: China (Intellect, 2012), and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates (McGraw-Hill 2010). He is Vice Chair of the Asian Cinema Studies Society (ACSS).
Post-Olympics Chinese Cinema Symposium
Current Trends in Present day Chinese Language Film.
Where: Bader International Study Centre, Queens University, Herstmonceux Castle, Hailsham, East Sussex, UK
When: December 10, 11 2013
This two day symposium explores the state of Post-Olympics Chinese language cinema in the context of the relaxing of censorship and distribution policy in contemporary China.
The 2008 Beijing Olympics, immediately followed by the Shanghai World Expo, signified a period of change in China’s cultural attitudes. The two cities were presented as the crowning jewels in China’s foray into global economic and cultural participation.
Contemporary China, since that watershed period, is continuing to ease restrictions on communication laws and technologies. While Facebook has yet to be permitted in China, there are localized social networking and micro-blogging systems that allow for commentary on the Chinese political structure. There is similarly a relaxing of censorship in contemporary filmmaking practice, providing filmmakers room to critique perceived inequities in the political economy.
Stephen Chow Sing-Chi, for instance, who had previously been affiliated with the Hong Kong Cantonese film industry, shot CJ7 (Cháng Jiāng Qī Hào, 2008) in Zhejiang province. While ostensibly a light entertainment film, CJ7 incorporates criticism of the construction industry’s laxity in health and safety practices and details social issues regarding contemporary Chinese working class poverty. This is iconography and subject matter that would have been unthinkable in the mainland industry just a few years previous.
Since the Beijing Olympics and the Shanghai World Expo, it is evident that there have been radical changes in the Chinese film industry. The integration of the Hong Kong Cantonese industry personnel into the Chinese Mandarin film industry has been successful, and many Hong Kong stars are currently working alongside the mainland financiers. In 2011, Tsui Hark and Jet Li re-visited the Dragon Gate Inn, but this time with many stars of the mainland industry bantering in the Mandarin language of a repatriated Li. Similarly, Taiwan has relaxed trade embargoes with China and has allowed mainland Chinese stars to film in Taiwan in joint venture co-productions.
This two day symposium explores the changing nature of Chinese cinema today. We invite submission of abstracts (150-250 words) for papers on any topic regarding contemporary Chinese language cinema, particularly in light of 21st century political reform and easing of restrictions on critical filmmaking.
We now have two confirmed keynote speakers, Dr. Victor Fan of King’s College London and Dr. Gary Bettinson of the University of Lancaster.
Deadline for Submission of Abstracts is September 5, 2013
Deadline for Conference Registration is November 1, 2013
Possible topics include but are not limited to:
Please e-mail submissions with author details and a short biography to Robert Hyland at POCCS@bisc.queensu.ac.uk For further information, comments or queries please contact r_hyland@bisc.queensu.ac.uk
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